VIVID [RADICAL] MEMORY
[VRM]
Radical Conceptual Art revisited: A social and political perspective from the East and the South
X Typology
X Authorships
[ Productions List ]
Page 1/2
- Art, política i societat en la derogació del franquisme. (PU)
- Art-Collection Action (WO)
- Cadaqués Canal Local (WO)
- Cartell del col·lectiu Solidaritat amb el moviment obrer (WO)
- Champ d’attraction. Document. Travail d’information sur la presse (WO)
- Come to us... (Serie Spain is different) Nuevo este año (WO)
- Construction Pressing into the Ceiling (WO)
- Cromolitografia religiosa, dolça imatge del culte domèstic. (EX)
- Del arte objetual al arte de concepto 1960 1972 (PU)
- Del arte objetual al arte de concepto. Epílogo sobre la sensibilidad (PU)
- Desacuerdos 1 (PU)
- Desacuerdos 2 (PU)
- Desacuerdos 3 (PU)
- Dos Colors (WO)
- El kitsch domèstic. Un pis de la provincia de Gerona (EX)
- Exclusion Exercise. Punishment Preventing Autotherapy (WO)
- Idees i actituds. Entorn de l'art conceptual a Catalunya, 1964-1980. (EC)
- Idees i Actituds. Entorn de l'art conceptual a Catalunya, 1964-1980... (EX)
- IIº Teorema Fundamental (WO)
- Informació d'Art Concepte 1973 a Banyoles (EC)
- János Major’s coat (WO)
- La voz de su amo and Clasificación moral (Serial: Spain is different) (WO)
- Last year’s snow (WO)
- Lectura per semblança i contacte de lletres, pedres i colors. (WO)
- Marx-Lenin (WO)
- Moral-algebra. Solidarity action (WO)
- Naturally Spanish (Series Spain is different) (WO)
- Poemas matemáticos (in) comestibles (PU)
- Protest-Sign Forest (WO)
- Qüestions d’Art núm. 28 (WO)
Title: Del arte objetual al arte de concepto. Epílogo sobre la sensibilidad
Author: Simón Marchán Fiz [AT]
Year: 1986
Images and references:
Place where it was made /presented Madrid
Tamaño/duracion 483 pages
Reference:
Starting from methodological, semiologic and dialectic premises, he analyzes the various manifestations of plastic arts from 1960, within the frame of the neocapitalist world. The works are grouped by trends, based on the modern concept of model. This one not only accentuates the syntactical-formal similarities (as the formalist practice), but also the significant and pragmatic ones, as well as its insertion in the context of society.
After a concrete study of the specific languages of each tendency, there are the pragmatic and sociological considerations. The changes experienced on the diverse semiologic levels are specified in each case. There are also shown the codes of the work - stylistic, formal, semantic, symbolic and connotative –, preserved or put in crisis and its consequences and meanings for the public.
The work is divided in three parts: a claim of the object and the representation - from the “pop” neofiguration up to the superrealism and the critical realism-; a development from constructivism to technological trends: and finally - in the ambiences of Land-Art, art of concept-, there was a tendency towards an improvement of the traditional borders of arts.
Del arte objetual al arte de concepto. Epílogo sobre la sensibilidad
Author: [Simón Marchán Fiz]
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