VIVID [RADICAL] MEMORY
[VRM]
Radical Conceptual Art revisited: A social and political perspective from the East and the South
X Typology
X Authorships
[ Productions List ]
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- Art, política i societat en la derogació del franquisme. (PU)
- Art-Collection Action (WO)
- Cadaqués Canal Local (WO)
- Cartell del col·lectiu Solidaritat amb el moviment obrer (WO)
- Champ d’attraction. Document. Travail d’information sur la presse (WO)
- Come to us... (Serie Spain is different) Nuevo este ańo (WO)
- Construction Pressing into the Ceiling (WO)
- Cromolitografia religiosa, dolça imatge del culte domčstic. (EX)
- Del arte objetual al arte de concepto 1960 1972 (PU)
- Del arte objetual al arte de concepto. Epílogo sobre la sensibilidad (PU)
- Desacuerdos 1 (PU)
- Desacuerdos 2 (PU)
- Desacuerdos 3 (PU)
- Dos Colors (WO)
- El kitsch domčstic. Un pis de la provincia de Gerona (EX)
- Exclusion Exercise. Punishment Preventing Autotherapy (WO)
- Idees i actituds. Entorn de l'art conceptual a Catalunya, 1964-1980. (EC)
- Idees i Actituds. Entorn de l'art conceptual a Catalunya, 1964-1980... (EX)
- IIş Teorema Fundamental (WO)
- Informació d'Art Concepte 1973 a Banyoles (EC)
- János Major’s coat (WO)
- La voz de su amo and Clasificación moral (Serial: Spain is different) (WO)
- Last year’s snow (WO)
- Lectura per semblança i contacte de lletres, pedres i colors. (WO)
- Marx-Lenin (WO)
- Moral-algebra. Solidarity action (WO)
- Naturally Spanish (Series Spain is different) (WO)
- Poemas matemáticos (in) comestibles (PU)
- Protest-Sign Forest (WO)
- Qüestions d’Art núm. 28 (WO)
Title: Protest-Sign Forest
Author: Gyula Pauer [AT]
Year: 1978
Images and references:
Place where it was made /presented Nagyatád
Reference:
The “forest” was created at the Artists’ Colony of Nagyatád in 1978. The protest-sign forest boards and their texts formed a plastically and topographically structured order. After several months of work the completed "forest", in an area of about 400 m2, had a lifetime of one single day as within a few days after the artist had left Nagyatád the texts were obliterated by busy hands that splashed mud on the protest-signs, then the protest-signs themselves were cut down and their rumps numbered. Some time after an official art jury arrived to inspect the work but as all they found was a heap of broken protest-signs stored in a shed they refused to pass judgement as to the artistic value of the project, then declared the debris in the shed without artistic value and concluded that no wilful destruction of a work of art had taken place.
Document Enviroment to catalogue/document
(connected with the text file):
- There is no document enviroments